guerra (2023) Drawing by Stefano Galli

Pastel on Paper, 12.2x16.1 in
$503.87
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Guerra? di tanto in tanto ci casca. Lo strapotere del sistema I.A. aveva esasperato gran parte della popolazione, per cui da molte parti erano giunte notizie di disordini: ovviamente attraverso i canali ufficiali del sistema tutto andava bene in accordo con il principio statutario della autodifesa del sistema. Tali automatiche azioni[...]
Guerra? di tanto in tanto ci casca.
Lo strapotere del sistema I.A. aveva esasperato gran parte della popolazione, per cui da molte parti erano
giunte notizie di disordini: ovviamente attraverso i canali ufficiali del sistema tutto andava bene in accordo
con il principio statutario della autodifesa del sistema. Tali automatiche azioni difensive però scontravano
con la natura dell’uomo che, seppur dominato dalla inedia e dalla fiacca, quando succede qualcosa di truce,
raddrizza l’orecchio ed aguzza la curiosità, al punto che, con sorprendente celerità, si formarono delle
squadre leggermente armate, poi delle vere e proprie compagnie del tutto armate. Nel frattempo, il
tentativo di internazionali squadre di informatici, seppur dotati di scarsa tecnica, di forzare alcune reti
periferiche per inserirsi nella gestione dati, fece scattare il sistema di sicurezza estremo; quello che
prevedeva l’intervento puntuale armato in difesa delle reti. Da varie parti si aprirono i contenitori di robot
detti insensibili; il loro intervento fu eccezionalmente violento ed inaspettato perché, seppur noto, era
considerato una fantasiosa invenzione. Ci furono moltissime vittime che invece di placare la gente, la
scatenò in azioni di sabotaggio sempre più irriflessivi e dannosi per la popolazione stessa.
Dopo un anno dai primi disordini, si formò clandestinamente l’esercito di distruzione del sistema, il cui
obiettivo era di tornare alla informatizzazione precedente la I.A. detta sostenibile, termine non molto
chiaro ma elegante.
Il divario di forze era però enorme perché il sistema deteneva tutti i know how per la fabbricazione dei
robot guerrieri; la rete satellitare e truppe di robot dislocate in modo tatticamente perfetto.
Dopo solo una settimana di guerra gli eserciti umani erano stati drasticamente ridotti e i robot guerrieri
avevano sterminato grandi quantità di civili. Era la fine di una guerra non studiata.
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Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive[...]

Stefano Galli, born in 1950 in Falconara Marittima and nurtured amidst the dynamic milieu of Milan, seamlessly intertwines his artistic and scientific pursuits. Refusing to perceive a schism between the foundational principles of industrial and civil design and his lifelong commitment to art, Galli embarked on a journey where creativity and functionality coalesce.

Drawing inspiration from futurism, metaphysics, and surrealism, Galli's paintings bear the unmistakable imprint of these influential artistic movements, all while maintaining a distinct connection to the world of comics. His artistic vision transcends mere visual representation, delving into the realm of narrative composition. Themes, rich with inspiration, serve as the scaffolding upon which he constructs intricate narrative paths, often intertwining stories with images. Renowned art critic Prof. Philippe Daverio characterizes Galli's artistic expression as "meta-real," a playful manipulation of reality that distorts visual perception while affirming a concept of continuity between opposing forces—between the above and the below, the inside and the outside.

The evolution of Galli's painting unfolds as a nuanced exploration of interiors and exteriors in both space and time. His canvases feature perspectives dramatically altered to convey the absence of traditional spatial and temporal constraints, offering a singular tableau where deformation begets multiple viewpoints. In his hands, the canvas becomes a storytelling medium, akin to comic strips, allowing viewers to transcend time with a single glance. Galli emerges as a modern storyteller, utilizing the language of painting to present a dynamic fusion of narratives seen through the lens of art.

Galli's artistic triumphs have found homes in numerous collections across Italy and beyond. His works grace the walls of private collectors in Switzerland, France, Belgium, Germany, England, Spain, Russia, and the United Arab Emirates.

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