Levensboom groen/roodpaars/Tree of Life green/redpurple (2020) Printmaking by Mi-Jeanne Blansjaar

Printmaking on Paper, 16.5x11.6 in
$511.29
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Seller Mi-Jeanne Blansjaar

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Levensboom. Het fascinerende aan bomen is dat ze onder de grond vaak net zo groot zijn als erboven, er is altijd meer dan je zo op het eerste gezicht ziet. Ik gebruik deze prints om stambomen op te printen maar zonder zijn ze ook mooi. Inkt op aquarelpapier 2 kleurendruk: groen met roodpaarse opdruk. Tree of life.
Levensboom.
Het fascinerende aan bomen is dat ze onder de grond vaak net zo groot zijn als erboven, er is altijd meer dan je zo op het eerste gezicht ziet.
Ik gebruik deze prints om stambomen op te printen maar zonder zijn ze ook mooi.

Inkt op aquarelpapier 2 kleurendruk: groen met roodpaarse opdruk.

Tree of life.
The fascinating thing about trees is that they are often just as big under the ground as they are above, there's more than meets the eye.
I use these prints to print family trees on but they are also beautiful without.

Ink on water paper 2 color printing: green with roodpurple print.

Related themes

LevensboomTree Of LifeRootsWortelsMysterie

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Mi-Jeanne Blansjaar (1967) studied psychology, followed a part-time course Autonomous (sculpture and painting) at the HKU in Utrecht for a year, but eventually opted for the profession of television program[...]

Mi-Jeanne Blansjaar (1967) studied psychology, followed a part-time course Autonomous (sculpture and painting) at the HKU in Utrecht for a year, but eventually opted for the profession of television program maker (director/editor).

She couldn't let go of being physically creative. painting, sculpture (ceramics), goldsmithing, etc., but in the evenings.

In 2012 she started a creative coaching course and completed it in 2016.

Since 2020 she has happily devoted herself to screen printing.

“ Screen printing is a creative process in which I like to leave things to chance. You can make exactly the same prints with screen printing. I never make exactly the same images. I print unique backgrounds from multiple layers of ink. This creates a deepened fresco-like background, very often I find that background beautiful in itself. I then print an image on the background. I photograph these myself or I use old antique photos. I make different prints of such a photo, but always on a different background, so there is never a second of my screen prints that is almost the same'.

Mi-Jeanne reuses in screen printing her paper (to prevent waste) so the back of a work can simply have a rejected other work on it.

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