Amaryllis (2020) Painting by Michael Rehr-Hoffmann

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$130.76
$272.43
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Seller Michael Rehr-Hoffmann

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Painting, Acrylic on Cardboard
  • Dimensions Height 28.7in, Width 24.8in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Paintings under $1,000 Illustration Flower
Die Amaryllis ist ein beliebtes Motiv in der Kunst, insbesondere in der Malerei. Diese realistische Darstellung zeigt sie in ihrer ganzen Pracht in Acryl auf Karton. Das Blatt (brauner Karton) ist 70 x 100 cm. Das Motiv ca. 63 x 73 cm. About this artwork:[...]
Die Amaryllis ist ein beliebtes Motiv in der Kunst, insbesondere in der Malerei. Diese realistische Darstellung zeigt sie in ihrer ganzen Pracht in Acryl auf Karton.
Das Blatt (brauner Karton) ist 70 x 100 cm. Das Motiv ca. 63 x 73 cm.

Related themes

AmaryllisStilllebenBlumePflanze

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Michael Rehr-Hoffmann, born in 1957, is a German artist who studied illustration and communication design at the University of Applied Sciences in Hamburg. For over 30 years he worked as a graphic designer[...]

Michael Rehr-Hoffmann, born in 1957, is a German artist who studied illustration and communication design at the University of Applied Sciences in Hamburg. For over 30 years he worked as a graphic designer in various areas of advertising and public relations in Lüneburg. After his professional life, he retired and began painting again in 2016, initially creating drawings and color sketches. That was the starting signal. His works, which include countless drawings and paintings, have already been shown in regional exhibitions in and around Lüneburg.

A main theme in his works is the still life, in which every object has a meaning and wants to tell the viewer something . Furthermore, humans appear as social creatures, both alone and in groups, in many of his drawings and paintings. His works are often unintentionally funny, but never didactic. Instead, he wants the audience to do the interpretive work and interpret his works in their own way.

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