Avant que le grand Crique te croque (2022) Photography by Gaspard De Gouges

Photography, 15.8x15.8 in
$217.75
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Seller Gaspard De Gouges

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Toutes les photographies sont disponibles en 3 formats 20x20, 30x30, 40x40 cm, demander les prix. Ceci est une évocation plus qu'une mise en scène réaliste, évocation composée d'une percée lumineuse au centre et de deux parois rocheuses de part et d'autre. Des ombres se dessinent à la surface de l'eau qui évoque le[...]
Toutes les photographies sont disponibles en 3 formats 20x20, 30x30, 40x40 cm, demander les prix.

Ceci est une évocation plus qu'une mise en scène réaliste, évocation composée d'une percée lumineuse au centre et de deux parois rocheuses de part et d'autre. Des ombres se dessinent à la surface de l'eau qui évoque le sable. A l'arrière plan se détachant d'un ciel immaculé on voit une partie d'un bateau, noir, dont la proue semble jouer avec une cavité rocheuse.

Se trata de una evocación más que de una puesta en escena realista, una evocación compuesta por un avance luminoso en el centro y dos paredes de roca a cada lado. Las sombras emergen en la superficie del agua que evoca la arena. Al fondo desprendido de un cielo inmaculado vemos parte de un barco, negro, cuya proa parece jugar con una cavidad rocosa.

This is an evocation more than a realistic staging, an evocation composed of a luminous breakthrough in the center and two rock walls on either side. Shadows emerge on the surface of the water that evokes the sand. In the background detached from an immaculate sky we see part of a boat, black, whose bow seems to play with a rocky cavity.

这是一种唤起,而不是一个逼真的舞台,一个由中心的发光突破和两侧的两面岩壁组成的唤起。阴影出现在水面上,唤起了沙子。在从完美无暇的天空中分离出来的背景中,我们看到了一艘船的一部分,黑色,它的船头似乎在玩一个岩石洞穴。

Это больше, чем реалистичная постановка, воскрешение, состоящее из светящегося прорыва в центре и двух каменных стен с обеих сторон. Тени появляются на поверхности воды, которая вызывает песок. На заднем плане, оторванном от безукоризненного неба, мы видим часть лодки, черный, нос которой, кажется, играет со скалистой полостью.

Dies ist mehr eine Evokation als eine realistische Inszenierung, eine Evokation, die aus einem leuchtenden Durchbruch in der Mitte und zwei Felswänden auf beiden Seiten besteht. Auf der Wasseroberfläche entstehen Schatten, die an den Sand erinnern. Im Hintergrund, losgelöst von einem makellosen Himmel, sehen wir einen Teil eines Bootes, schwarz, dessen Bug mit einem felsigen Hohlraum zu spielen scheint.

यह एक यथार्थवादी मंचन से अधिक एक मंगलाचरण है, एक केंद्र में एक चमकदार सफलता और दोनों तरफ दो रॉक दीवारों से बना एक मंगलाचरण । रेत का उदाहरण देने वाले पानी की सतह पर छाया निकलती है। पृष्ठभूमि में एक बेदाग आकाश से अलग हम एक नाव, काले, जिसका धनुष एक चट्टानी गुहा के साथ खेलने लगता है का हिस्सा देखते हैं ।

هذا هو استحضار أكثر من التدريج واقعية، واستحضار تتألف من اختراق مضيئة في الوسط واثنين من الجدران الصخرية على جانبي. تظهر الظلال على سطح الماء الذي يثير الرمال. في الخلفية منفصلة عن سماء طاهرة نرى جزءا من قارب، أسود، الذي القوس يبدو للعب مع تجويف صخري.

Related themes

SeascapeRocksSandBoatIsalnd

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Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint[...]

Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (France). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format figurative canvases, group portraits. Since 2021 he has devoted himself to photography, which has become a game for him, a kind of motionless journey.

"I started photographing scenes when I was 10 years old, with very realistic toys and models that I built with stalks of dry grass, miniature vehicles. For a long time I wanted to photograph islands, to their dreamlike power, I love to travel there and their memory persists. Their existence plunges us into an elsewhere. I imagined them tropical, but it is on mineral and Mediterranean islands that I finally decided to evoke. My approach is to create stagings, artificial but plausible, realistic landscapes. I create imaginary worlds, sometimes containing ruins, at least rocks that sometimes make me think of fortresses. These landscapes surprise me and always give me a lot of pleasure to create. "

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