Armoriques _ 2 (série) (2017) Printmaking by Brigitte Tarrats (Tarrats)

Printmaking on Paper, 5.9x5.9 in
$103.37
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Cardboard
This artwork appears in 2 collections
  • Original Artwork (One Of A Kind) Printmaking, Monotype on Paper
  • Dimensions Height 5.9in, Width 5.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Printmaking under $500 Impressionism Landscape
Monotype encre et rehauts au calame sur papier Craft contrecollé sur carton plume About this artwork: Classification, Techniques & Styles Monotype Printing[...]
Monotype encre et rehauts au calame sur papier Craft
contrecollé sur carton plume

Related themes

LittoralMarineCeltiquePaysagePetit Format

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Energy, Materials, Light Traps… Brigitte Tarrats, adopted from Bordeaux, was born in Algiers at the confluence of Mediterranean cultures. Her studies in visual arts laid the foundations for 'an open[...]

Energy, Materials, Light Traps…

Brigitte Tarrats, adopted from Bordeaux, was born in Algiers at the confluence of Mediterranean cultures.
Her studies in visual arts laid the foundations for 'an open style, which evolves over time.
Energy, light, ephemeral trace of visual impressions, static or moving force constitute the framework of his pictorial approach.
On a textured background of materials, potential of prior energy which imposes its ruptures and its reliefs, she plays with colors and lines to translate the power of beings and elements...Each new canvas is an experience which favors the part of the unknown necessary for her to the act of painting; then comes the moment to “channel the energy and know how to suspend the gesture in its momentum, precisely…just before going too far…”
Alliance of the voluntary and the fortuitous, his expressive and gestural painting is born in an alchemy of contrasts, shapes and clashes of light...

Among the quotes which particularly inspire him and correspond to his pictorial approach, this extract from Antony and Cleopatra, by William SHAKESPEARE:

“We sometimes see a cloud like a dragon;
Sometimes a steam in the shape of a bear or a lion,
A fortified castle with its towers, a steep rock,
A forked mountain, a blue promontory
Crowned with trees nodding their heads in the eyes of the world,
And mocking our eyes with illusions..."


This is how from the mist-clarity or the shadow-depth emerges a line, a stain, an asperity...So, from the formless the form is born, a moment, or imposes itself on the view, at the right distance, that of the gaze which focuses...Still evident a moment ago, it suddenly fades, slips away before disappearing, drowned in color, caught up in the void , frozen in matter, fleeting, evanescent at the very second when attention becomes blurred….A blink of an eyelid and a new story begins...

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