In your Mirror L (2023) Painting by A Wibaa

Oil on Aluminium, 15.8x11.8 in
$489.06   $466.83
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Seller A Wibaa
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One of a kind
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Certificate of Authenticity included
Ready to hang
  • Original Artwork (One Of A Kind) Painting, Oil / Acrylic on Aluminium
  • Dimensions Height 15.8in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $500 Naive Art Love
Médium : acrylique sur miroir. Année 2023 La décision de l'artiste de peindre sur un miroir vise à inciter le spectateur à réfléchir sur lui-même, afin de regarder à l'intérieur de lui-même. Un look intérieur qui n'est pas facile, car filtré et élaboré à travers l'image peinte. Ici le regard intérieur renvoie à l'altérité[...]
Médium : acrylique sur miroir.
Année 2023
La décision de l'artiste de peindre sur un miroir vise à inciter le spectateur à réfléchir sur lui-même, afin de regarder à l'intérieur de lui-même. Un look intérieur qui n'est pas facile, car filtré et élaboré à travers l'image peinte. Ici le regard intérieur renvoie à l'altérité : le véritable message que l'artiste veut faire passer. L'altérité, en effet, ne signifie pas seulement accepter l'autre par rapport à soi-même, mais aussi et surtout accepter un point de vue autre que le sien. L'élaboration de ce concept oriente le spectateur vers un message de confiance et d'espoir, représenté par les rayons bleus et blancs : une extériorisation de son monde intérieur, précisément parce qu'ils sont le symbole d'une vision extérieure résultant d'une intériorité profondément mûrie.

Medium: acrylic on mirror.
Year 2023
The artist's decision to paint on a mirror aims to urge the viewer to reflect on himself, so as to look inside himself. An interior look that is not easy, because it is filtered and elaborated through the painted image. Here the interior gaze refers to otherness: the true message that the artist wants to convey. Otherness, in fact, does not only mean accepting the other with respect to oneself, but also and above all accepting a point of view other than one's own. Elaborating this concept directs the viewer towards a message of trust and hope, represented by the blue and white rays: an externalization of one's inner world, precisely because they are the symbol of an external vision resulting from a deeply matured interiority.

Oeuvre authentique de l'artiste A-Wibaa.
Il débute sa carrière artistique en suivant un cours au MoMA de New York.
Publié dans divers magazines, il a exposé à Londres, Berlin, Milan Design Week, Rome Art Week, Puerto Rico, Atlanta.
Les œuvres sont exposées dans des galeries européennes et nord-américaines et font partie de collections privées.

Médium : acrylique, huile sur mirror.

Authentic work of the artist A-Wibaa.
He began his artistic career by attending a course at the MoMA in New York.
Published in various magazines, he exhibited in London, Berlin, Milan Design Week, Rome Art Week, Puerto Rico, Atlanta.
The artworks are exhibited in European and North American galleries and are part of private collections.

Medium: acrylic, oil on mirror.

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Abstract Expressionism, Abstraction and abstract art, Acrylic, Aquatint, Art Glass, Assemblage, Bauhaus, Blocking in, Body Art, Canvas, Carving, Casting, Cityscape, Collage, Collagraphs, Collector, Composition, Conceptual art, Contemporary, Crypto Art, C-Type, Curator, Cyanotype, Décollage, Digital Art, Diptych, Drypoint, Editions, Emerging, Engraving, Established, Etching, Figurative, Fin de siècle, Focal Point, Foreground, Gallerist, Gelatin Silver Print, Geometric, Giclée, Glass Art, Gouache, Grafitti, Hard-edge painting, Hyper realism , Impasto, Ink, Installation art, Intaglio Process Prints, Juxtaposition, Kinetic Art, Kitsch, Lacquer, Lambda / Lightjet, Limited Edition, Linocut, Lithography, Mezzotint, Modeling, Modern print, Modernism and Modern Art, Monoprints and Monotypes, Montage, Naive Art, NFT, Oeuvre, Oil, Painting, Palette, Pallidium print, Papier Collé, Pastel, Photography, Photomontage, Platinum print, Polaroid, Pop Art, Post-Modernism, Printmaking, Quilling, Relief Printing, R-type, Salon Hang, Screenprinting / Serigraphy / Silkscreen printing, Sugar Lift, Tondo, Triptych, Umber, Vernissage, Video Art, Vintage print, Vitrine, Watercolour, Xerox Art, Yellowing, Zeitgeist
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A PROPOSITO DI QUEST'OPERA: CLASSIFICAZIONE, TECNICHE & STILI
Olio
Vernice composta da pigmenti legati con olio di lino o garofani. La tecnica tradizionale consiste nel sovrapporre strati di vernice sempre più ricchi di olio per un gancio solido e resistente.
Acrilico
Dipingi usando pigmenti tradizionali mescolati con resine sintetiche.

Tecnico Pittura
La pittura è una forma d'arte di pittura su una superficie applicando esteticamente fluidi colorati. I pittori rappresentano un'espressione molto personale su supporti come carta, roccia, tela, legno, corteccia, vetro, cemento e molti altri substrati. Opera di rappresentazione o invenzione, la pittura può essere naturalistica e figurativa o astratta. Può avere contenuto narrativo, descrittivo, simbolico, spirituale o filosofico.

Related themes

MiroirFemme

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Wibaa started his artistic journey after he asked himself if he can do something creative. Will I be an artist? Although it seems to be a simple question, it is not because every question has different[...]

Wibaa started his artistic journey after he asked himself if he can do something creative.

Will I be an artist?

Although it seems to be a simple question, it is not because every question has different answers that affect each person differently.

One may paint for a more extended period just to realize how little they know about it.

He approaches the canvas without prejudices and with an open mind. The goal is not to create pictures and images as it is to resolve, crystallize form, colour, and mark into a cohesive totality of a rich experience. he is often befuddled throughout the painting process, trying to find his way out and feeling very much like a novice until that moment of clarity arrives. For a long time, his work has been resolved via the creation of a blighted landscape.

Beneath tectonic plates of hue and shape, spaces of colour and light resembling the mountains and oceans of his journeys open. Sometimes of his soul.

Painting has served as a bridge between his drawing, which is based on natural shapes, and his paintings, layered with colour and light. As is customary in his painting technique, these pictures are painting in various colours, their orientation often reversed, and combined with supplementary or repeated colour images to create depth and form interactions.

Painting has introduced him to new world, painting helps him to see himself inside, to express emotions, to relax, to find a moment to get away from reality.

His creative process comes from an idea, from an emotion and is reflected on his canvas.

He is self-taught.Wibaa approached painting by attending a course at MoMA in New York - In the Studio: Postwar Abstract Painting – He could learn about the materials, techniques, and approaches of seven New York School artists who made abstract paintings. The “New York School “including Willem de Kooning, Yayoi Kusama, Agnes Martin, Barnett Newman, Jackson Pollock, Ad Reinhardt, and Mark Rothko. Wibaa began to understand what a studio means and how ideas develop by looking closely at the paintings.

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