Lease 画作 by Dorin Popa

通过购买选项租赁Dorin Popa的作品“ Shiva Dancing ”

Dorin Popa的画作可通过购买选项进行租赁

绘画 标题为“Shiva dancing” 由Dorin Popa, 原创艺术品, 油 安装在纸板上
Shiva dancing (2023)
绘画 由 Dorin Popa - 26.8x22.4 in
US$1,041.44

选择您的每月还款额:

每月付款
€83.93+增值税
剩余价值
€27.39+增值税
节税
€310.94+增值税
总成本
€808+增值税
每月付款
€48.96+增值税
剩余价值
€27.39+增值税
节税
€334.88+增值税
总成本
€868+增值税
每月付款
€33.92+增值税
剩余价值
€27.39+增值税
节税
€347.99+增值税
总成本
€901+增值税
每月付款
€27.12+增值税
剩余价值
€27.39+增值税
节税
€371.07+增值税
总成本
€958+增值税
* 这只是一个指示性模拟。我们的财务合作伙伴研究您的支持文件并验证您的文件后,将向您发送合同提案。

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常见问题

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
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Can we buy the work after the leasing period?

  • Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

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What are the conditions for terminating the leasing contract before its end?

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更多信息

Shiva dancing (2023)
绘画 由 Dorin Popa - 26.8x22.4 in
绘画 标题为“Shiva dancing” 由Dorin Popa, 原创艺术品, 油 安装在纸板上

关于作者

关注
I was born and raised north Transylvania, Romania. I completed my studies in Engineering in 2003, but 15 years ago, while living in the UK, I steered toward becoming a representational artist. Eventually I settled [...]

I was born and raised north Transylvania, Romania. I completed my studies in Engineering in 2003, but 15 years ago, while living in the UK, I steered toward becoming a representational artist. Eventually I settled in Bucharest, Romania with my wife and children, where I work and have established my own studio.

Mostly self-thought artist, I have no formal artistic education. However I attended a couple of artistic groups in Reading, UK between 2010-2013 (SketchPad, Rising Sun – Life Drawing class, Remenham Portrait Group), where guidance was received from the most established painters.

I've had a very systematic approach to drawing and painting; Following Van Gogh's model, I did not touch colors until I had spent enough time understanding drawing, proportions, perspective, volumes and tones, which, to me, are the intrinsic foundation of a good painting.

After completing "Cours de dessin" by Charles Bargue within a year, and after copying masters for another one, I began to tackle colors - watercolor at first, then acrylics and finally, a few years ago, I began experimenting with oil painting, which is where I ultimately settled.

I am very fond of impressionistic movement, and everything that preceded (romantics, Barbizon school) and followed the movement (post-impressionist).

I strongly consider, that the impressionistic and post-impressionistic movements, have been forced to live too short as the modernist-abstract art like cubism came into the scene much too quick. So, that all the field of light studying in nature, light impact on color and our perception, color vs tones approach has not been experimented enough. 

So, my aim is to go back in time and start some light vs color studies and experiments where mid XIX schools have advanced them, but I think not enough experimented with. Maybe something that might be catalogues as new-naturalists/new-impressionism. All this strongly backed by the urge to go and paint outside my studio, plein-air,  for the quality of the light, and for the love for landscape, being it in front of the see or a busy-town scene.

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