Lease 画作 by Lele De Bonis
通过购买选项租赁Lele De Bonis的作品“ In The Shadow Of Jung N°3 ”
Lele De Bonis的画作可通过购买选项进行租赁
选择您的每月还款额:
每月付款
€141.7+增值税
剩余价值
€46.24+增值税
节税
€524.97+增值税
总成本
€1,363+增值税
每月付款
€82.65+增值税
剩余价值
€46.24+增值税
节税
€565.44+增值税
总成本
€1,464+增值税
每月付款
€57.27+增值税
剩余价值
€46.24+增值税
节税
€587.67+增值税
总成本
€1,520+增值税
每月付款
€45.79+增值税
剩余价值
€46.24+增值税
节税
€626.43+增值税
总成本
€1,618+增值税
* 这只是一个指示性模拟。我们的财务合作伙伴研究您的支持文件并验证您的文件后,将向您发送合同提案。
索取租赁信息 "In The Shadow Of Jung N°3"
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

关于作者
Lele De Bonis 出生于 1980 年,现生活和工作于都灵,担任剧院、电影院、游乐园和户外舞台设计领域多家公司的布景设计师。与此同时,他还开辟了一条以恢复和组装为概念的个人艺术道路,通过这种概念来表现现实生活中最令他震撼的东西。人类是他作品的中心,他几乎总是以一种愤世嫉俗和怪诞的方式来表现人类,但从不谴责人类。木材和铝是他最常用的材料。他们的建设性反对使他能够超越信息本身,发挥和试验热物质和冷物质之间无限的炼金术关系。从“现成品”的概念出发,Lele [...]
Lele De Bonis 出生于 1980 年,现生活和工作于都灵,担任剧院、电影院、游乐园和户外舞台设计领域多家公司的布景设计师。与此同时,他还开辟了一条以恢复和组装为概念的个人艺术道路,通过这种概念来表现现实生活中最令他震撼的东西。人类是他作品的中心,他几乎总是以一种愤世嫉俗和怪诞的方式来表现人类,但从不谴责人类。木材和铝是他最常用的材料。他们的建设性反对使他能够超越信息本身,发挥和试验热物质和冷物质之间无限的炼金术关系。从“现成品”的概念出发,Lele 不断通过他的组合作品寻找一种美学对话,旨在创造作品中使用的不同材料之间的材质和色彩平衡。他的作品在对历史时事的明确引用和更抽象、内省的研究之间不断交替。