通过购买选项租赁Fatih Sungurtekin的作品“ Lacy 11 ”
Fatih Sungurtekin的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Fatih Sungurtekin started painting from his childhood by making mud toys and drawing pictures on the walls. His high school teacher discovered his talent and directed him towards the visual arts. His artistic life began when he entered the Painting and Drawing Department of the Faculty of Fine Arts in 1995. He has participated in many National and International exhibitions as a conceptual artist. With the concept of "Moment and Memory" at the university and later, he produced studies on "time, the destruction of urban heritage, the reduction of human dialogues, the change and erasure of social memory". His art in this process contains warnings, information and messages for the future. In these works, he applied installation, ready-made materials and mixed techniques on various materials such as walls, paper and canvas. Later, the artist diversified the concept of "Moment and Memory" by combining and expanding the concepts of time, space and memory, and focused on organizing and recording what we experience in our memory by abstracting it momentarily. In the same way, he produced snapshots that were abstracted by the superposition of momentary things.
Making connections between his own memory and collective memory, the artist produced works that were manipulated on his canvas. The overlapping moments creating time and memory led him to produce more layered works. In recent years, the artist, making use of micro-macro cosmic elements, the forms and shapes of nature and living things, tries to reveal the invisible beauties of nature and the moment we live in, by producing layered works. The artist, who establishes similarities and relationships with things inside and outside of our body and thoughts, creates by blending the elements in his painting with the figure that has aesthetic expression. The work, which appears to be a single surface from a distance, turns into works that deepen in meaning with new visuals and sections as they approach. While each collage element supports the main image, it creates new meanings in itself and evokes different feelings in the viewer.
The artist examines the relationship of being and absence based on the known and unknown in the context of time and perception. The paintings create awareness for the viewer in his inner and outer journey.
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