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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
For almost 40 years, I have worked as an independent photojournalist. Based in Bangkok, Thailand, since 1991, I have mostly covered Asian countries for a wide spectrum of magazines and newspapers. Simultaneously to my media activities, I have dedicated large part of my time to watercolor painting.
To me there is a solid bridge between reportage photography and watercolor. Both techniques capture instant moments. A camera needs a fraction of a second to immortalize a reality, a very similar process to a brush that fixes a mix of water and pigment into the thickness of a paper.
Since I was born, my architect father put a pencil in my hand and took me to art museums. As a Belgian, I have the privilege to share roots with powerful artists such as James Ensor, René Magritte or Félicien Rops. Amongst other models were Gustav Klimt, Egon Schiele, and of course the master of light, J.M.W. Turner.
A first professional turn as a watercolor artist came in 2003 when I was jailed for five weeks in Laos for a clandestine reportage on a ethnic Hmong community lost in the jungle. My films were confiscated, never to be seen again. After my release I recreated scenes I had witnessed in the jungle with watercolor and black pen. They were published by many medias including the New York Times, Grands Reportages and Le Soir.
Then, a Swiss entrepreneur assigned me on the production of paintings describing the precious gems industry (from the mine to the jewellery): Burmese ruby, Colombian emerald, Sri Lankan sapphire, … These works are exhibited in his company premises.
Parallel to this work, I have created more personal and thematic series I am submitting to your curiosity such as “Cursed poets”, “Opium”, “Vanities”, “François Villon”, “Bangkok Wet”, “Belgie mon amour”, “Ten ism…”, “The Anniversary”, “Burmese Memories”, …
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