Lease 雕塑作品 by Boruch Jenia Lev

通过购买选项租赁Boruch Jenia Lev的作品“ Things We See And Things We Don’t Iii ”

Boruch Jenia Lev的雕塑作品可通过购买选项进行租赁

雕塑 标题为“Things we see and t…” 由Boruch Jenia Lev, 原创艺术品, 粘土
Things we see and things we don’t III (2024)
雕塑 由 Boruch Jenia Lev - 14.2x21.7 in
US$3,093.35

选择您的每月还款额:

每月付款
€250.31+增值税
剩余价值
€81.68+增值税
节税
€927.39+增值税
总成本
€2,408+增值税
每月付款
€146+增值税
剩余价值
€81.68+增值税
节税
€998.64+增值税
总成本
€2,587+增值税
每月付款
€101.17+增值税
剩余价值
€81.68+增值税
节税
€1,037.97+增值税
总成本
€2,686+增值税
每月付款
€80.89+增值税
剩余价值
€81.68+增值税
节税
€1,106.66+增值税
总成本
€2,858+增值税
* 这只是一个指示性模拟。我们的财务合作伙伴研究您的支持文件并验证您的文件后,将向您发送合同提案。

索取租赁信息 "Things We See And Things We Don’t Iii"

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常见问题

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

更多信息

Things we see and things we don’t III (2024)
雕塑 由 Boruch Jenia Lev - 14.2x21.7 in
雕塑 标题为“Things we see and t…” 由Boruch Jenia Lev, 原创艺术品, 粘土

关于作者

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I love clay. I do not know if I was born with this love. But from the time I can remember, I remember myself playing with clay. As a kid I worked in modeling clay of different colors. 50 books of the encyclopedia [...]

I love clay. I do not know if I was born with this love. But from the time I can remember, I remember myself playing with clay. As a kid I worked in modeling clay of different colors. 50 books of the encyclopedia were marked with this sticky substance making my dad angry. I was working on my 2'x2' sculpture garden making landscapes, planting trees and filling that environment with lots of animals. The Encyclopedia had great pictures of existing and extinct species. All that clay jungle was built on piece of plywood in a corner of the room. Once my little brother who was not walking very well back then awkwardly sat on a top of my garden destroying everything... Now think, why the dinosaur era ended so abruptly...I kept this love dormant most of my life but never lost it entirely.  It sort of gives me a connection to the original source. My language in sculpture uses line, shape and texture and minimum colors. I’m fluent in this language, it gives me a power to make an observation, to speak to myself and talk to others. Those composition of masses, darkness and light create a pavement to the essence or, at least shows the direction. Clay is a medium that energize my creativity, channels my thoughts and I rare make pen and paper to sketch. For me it's a clay in my hand. I love clay.

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