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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
I am a Scottish figurative artist living in Germany. I work in a variety of media and specialize on the human figure and landscapes. My paintings and drawings primarily show the female figure in a variety of experimental tones and colours.
I spent the most of my artistic career doing portraits using life models or photographic sources.
I also explore classic subjects such as landscapes and still lives as an examination of spiritual elements and how we add to or contribute to the physical universe. For me, the realist approach is the greatest way to do this.
I suppose I am influenced by a desire to capture the Infinity of ephemeral moments within an infinite number of moments. Painting and drawing are a never-ending source of inspiration for me, and I believe in constant experimentation within a framework of artistic fundamentals. I wish to elevate life above the laws of physics by creating interactive beauty.
Influences include Hopper, Warhol, Dali, Picasso, Erich Fichtl, and Monet to mention a few.
My artistic career began in mid-eighties London where I worked as a professional portrait artist, whilst taking life-drawing classes at St. Martins School of Art
Despite tempting offers to work as a fashion designer on London’s King’s Road, or exhibit in a New York gallery, I kept to my path. I simply loved drawing and painting people, and I wasn’t ready for New York.
Fate had me destined for Europe, namely Bavaria, where I had my first solo exhibitions and developed my career as an artist for real.
Later I moved to the east of Berlin.
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