通过购买选项租赁Oxana Luky的作品“ In Rhythm Of The Dance ”
Oxana Luky的画作可通过购买选项进行租赁
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
The human face is an infinite universe woven from lines, textures, and the subtlest shades of color.
It lives, changes, and reflects the inner world, hiding entire stories in its curves and shadows, in fleeting wrinkles.
With every new portrait, I strive to capture not just appearance but something elusive—the breath of the soul, its light and shadow, its vibrations between joy and sorrow, anxiety and calm, happiness and nostalgia.
It is a constant pendulum.
Each new portrait is not merely a depiction of another person; it is a mirror in which I, too, am reflected.
My works are journeys into the depths of personality, where reality meets subjective perception, form intertwines with emotion, and the artist engages with his inner world.
It is always a dialogue—not only with the subject but also with the viewer, who, looking into the image, inevitably discovers a part of themselves within it.
What fascinates me in portraiture is its paradoxical nature: it captures a fleeting moment yet reveals the eternity of human essence.
The gaze on the canvas remains unchanged, yet every viewer brings their own story, their own experience, their own understanding.
The life of a portrait exists in this endless interweaving of meanings, emotions, and perspectives.
It is not just an image; it is an act of presence, a way to grasp the ephemeral, to hold a moment, and to convey something beyond form.
It is the search for human essence, frozen in color and light.
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