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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
I am an artist and creative designer / project manager living in the Logan Square neighborhood of my hometown, Chicago. My degree is from the College of Visual and Performing Arts (VPA) at Syracuse University (BFA ’00) with a minor in English and a semester in Florence, Italy studying Renaissance painting. I lived in Brooklyn’s Williamsburg neighborhood from 2000-2006, throwing the bi-monthly “Art & Science” events at Galapagos Art Space until I returned to Chicago. Three of my pieces were shown in 2007 at the Museum of Contemporary Art Chicago at the Sustainable Architecture in Chicago exhibit in tandem with Bruce Mao's Massive Change exhibit.
My style could be described as both mid-century modern-meets-psychedelic abstraction, and surrealist figurative. I have created mostly abstract work since 2019, but also enjoy making cityscapes, figurative works, and pet portraits. In abstraction I break down uncommon objects into both linear and amorphous forms – sometimes combined in the same composition. Figurative work is usually intertwined with an object or animal that evokes an unsettled feeling within sometimes traditional depictions of the human figure.
Oil on canvas or board and watercolor on paper or illustration board are my most common methods for creating art. Integrating metallics is my signature design move, bringing sheen and unexpected depth to my work. An often-used overlay technique incorporates Swarovski crystal rhinestones as a decorative yet integral finish. I am also adept at drawing cityscapes, portraits, and abstract work in charcoal, conte, pastel, China marker, ink, colored pencils, and graphite.
Whether a piece is representational of a specific subject or demonstrates an abstracted concept, my goal for creating art is twofold:
1 - Allow each recipient and viewer to feel connected with and understood, regardless of subject matter or technique
2 - Put something original into the world that answers subconscious questions, leaving a lasting conscious impression of beauty and satisfaction
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