通过购买选项租赁Laura Federici的作品“ M001 ”
Laura Federici的画作可通过购买选项进行租赁
选择您的每月还款额：
索取租赁信息 "M001"
联系我们, 融资专家将在24小时内回复您：
常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Laura Federici was born in Rieti in 1964. She is graduated in Architecture. She lives and works in Rome. However, she traveled often to Syria, where she participated in exhibitions andworkshops held in Damascus and Aleppo. In 1999 she created 12 animated sequences for the film "Un Amore"; by Gianluca Tavarelli, which won the Nice- New York-San Francisco Film Festival.
She has exhibited widely internationally, and recently, at the Macro Museum of Rome and in Vietnam with her new project "Mekong's Diary".
"Laura Federici's body of work debates the reality of urban lives and the relations which connect us to the environment showing how space affects our memories, creating a new language of forms and colours. Federici's blissful canvases draw the viewer in whether they depict the elevated highway running through Rome or the courtyards of the mosques in Damascus, effectively gripping our minds. Objects shown in detail or close-ups become anchors to hold on to, lest we get caught in contemporary ‘mobility’ and fall ill with disorientation. They are rafts to get on to, when the fluidity of things make us all strangers, with no space to occupy.” (from an article by art critic Arianna di Genova).
查看更多的Laura Federici
