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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Christian Delavelle dessine et peint depuis une quinzaine d’années. Autodidacte, ses outils d’expression privilégiés sont l’acrylique, le pastel sec et le fusain. Son langage pictural s'appuie sur la transparence, les superpositions, les reflets et la perspective spatiale.
Il développe chaque oeuvre à partir de thèmes ou de situations issus de romans, de poèmes ou de souvenirs de voyages. Ses toiles évoquent les instants, parfois fugaces, durant lesquels un être vivant (humain, animal, végétal) se trouve confronté à un phénomène naturel insolite, par exemple une grande marée, une comète dans la nuit, un orage, une sècheresse, une inondation, une tempête ou un épais brouillard.
Christian Delavelle s’efforce d’avoir une attitude respectueuse envers les matériaux utilisés. Il recycle autant que possible des toiles de seconde main, évite les aplats larges et épais, privilégie les touches qui mettent en valeur la trame du tissu et essaie de se limiter à la représentation de l’essentiel.
Il a suivi pendant cinq ans les enseignements de Solweig von Kleist, Nathalie Tournesac, Olivier Le Bars et Vincent Bébert à l'Académie d'art de Meudon. Il expose en ligne à la galerie « Les 3 Dauphins » et sur « Artmajeur by YourArt ». Il présente des toiles régulièrement dans des évènements franciliens, tels que le Salon de la Société Versaillaise des Artistes d’Ile-de-France, le Salon de la Sèvrienne des Arts et le Salon des Arts Meudonnais.
Christian Delavelle has been drawing and painting for some fifteen years. Self-taught, his preferred tools of expression are acrylic, dry pastel and charcoal. His pictorial language is based on transparency, superimpositions, reflections and spatial perspective.
He develops each work from themes or situations taken from novels, poems or travel memories. His canvases evoke the sometimes fleeting moments when a living being (human, animal or plant) is confronted with an unusual natural phenomenon, such as a high tide, a comet in the night, a storm, a drought, a flood, a tempest or thick fog.
Christian Delavelle strives to have a respectful attitude towards the materials he uses. As far as possible, he recycles second-hand canvases, avoids large, thick flat tints and uses the canvas surface in such a way as to limit himself to representing the essential.
For five years, he studied with Solweig von Kleist, Nathalie Tournesac, Olivier Le Bars and Vincent Bébert at the Académie d'art de Meudon. He exhibits online at “Les 3 Dauphins” gallery and on “Artmajeur by YourArt”. He participates regularly at events in the Paris region, such as the « Salon de la Société Versaillaise des Artistes d'Ile-de-France », the « Salon de la Sèvrienne des Arts » and the « Salon des Arts Meudonnais ».
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