Jean-Louis Brunati

返回列表 2008年6月9日新增

TEXT OF PRESENTATION

I have always been fascinated by the mysterious power of the world on us. How can it create as many different eyes? Very early on I felt privileged to be a spectator of the strangeness of life. The world is a gift… which escapes us at every moment. Between (or does not) the beautiful in life. He enters and leaves. Yet just when everything seems we filer between the fingers we can seize part of the enigma, to fix something by means of painting or poetry. Thus we can approach the surprising silence of things.
It is believed that the world that eludes us but it is our own eyes that makes weapons too fast and slid on things. The world itself is still a place where it is and that is why it is diverting the usual meaning of images to find another harmony necessary to our eyes, it is being then refreshed. It allows us to inhabit the world differently.
My training is largely personal: I started in the craft, the size and stone sculpture. Then I felt the need to work on drawing from nature and then the oil paint, ink, acrylic on different mediums. In my work I combines parallel and successively using several techniques to open opportunities for bifurcation unexpected. What interests me is what surprises me then me into the unknown. My principle is not to refuse any idea even if it seems ludicrous at first glance. From that moment I was crossing the spirit I say it is mine and that I must take it seriously, think about it, the experiment. It's like a duty. Then I can play like I want to do something or nothing.
Cezanne said that "an artist must do his work as almond its flowers, its slug slime." I think its indication and this formula in its apparent simplicity pleases me well.
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Merci de votre contribution à Google Traduction.Nous tiendrons compte de votre suggestion pour améliorer la qualité des traductions lors des futures mises à jour de notre système. TEXT OF PRESENTATION I have always been fascinated by the mysterious power of the world on us. How can it create as many different eyes? Very early on I felt privileged to be a spectator of the strangeness of life. The world is a gift… which escapes us at every moment. Between (or does not) the beautiful in life. He enters and leaves. Yet just when everything seems we filer between the fingers we can seize part of the enigma, to fix something by means of painting or poetry. Thus we can approach the surprising silence of things. It is believed that the world that eludes us but it is our own eyes that makes weapons too fast and slid on things. The world itself is still a place where it is and that is why it is diverting the usual meaning of images to find another harmony necessary to our eyes, it is being then refreshed. It allows us to inhabit the world differently. My training is largely personal: I started in the craft, the size and stone sculpture. Then I felt the need to work on drawing from nature and then the oil paint, ink, acrylic on different mediums. In my work I combines parallel and successively using several techniques to open opportunities for bifurcation unexpected. What interests me is what surprises me then me into the unknown. My principle is not to refuse any idea even if it seems ludicrous at first glance. From that moment I was crossing the spirit I say it is mine and that I must take it seriously, think about it, the experiment. It's like a duty. Then I can play like I want to do something or nothing. Cezanne said that "an artist must do his work as almond its flowers, its slug slime." I think its indication and this formula in its apparent simplicity pleases me well.

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