販売者 David Boyd
「ファインアート」が紙にプリント
これは、非常に高品質の顔料インクを使用してアート紙に印刷し、非常に高解像度で印刷するプロセスです。その保存レベルは並外れており(100年以上)、その品質、深さ、ニュアンスの豊かさは、Argentic紙の古典的な写真プリントを上回っています。
![](http://cdn.artmajeur.com/img/print/print_preview_poster.jpg)
光沢仕上げ
その並外れた厚さは別として、繊維紙は酸を含まないアルファセルロースベースで構成され、硫酸バリウムで覆われ、印刷中の微孔性層吸収促進顔料が含まれています。純粋な白色で、黄変しないこの紙は、特に耐性と経年劣化のために設計されています。優れた解像度を提供し、深みのある濃い色をレンダリングするため、世界中の主要な美術館で使用されています。
アートプリント「ファインアート」-ファイバーベース紙325gの光沢仕上げ。
![](http://cdn.artmajeur.com/img/print/Fine art baryta 325g_2.png)
私たちのハイエンドのプリントと複製
Artmajeurは、有名な製紙会社から選ばれた、中性のpH、耐性、高品質の天然紙のみを使用しています。
カラーコントロールやグラフィックチェーンの尊重の観点から、マスタープリンターは常に注意を払っています。私たちの高レベルの品質要件は、Artmajeurフレームアートプリントの主要な資産です。
アーティストのための! あなたはアーティストが彼らの仕事から生きるのを助けます。彼らはあなたが彼らの版画を買うたびにロイヤルティを受け取ります。
私たちのファイン·プリントについて-
オリジナルのアートワーク (One Of A Kind)
描画,
紙の
鉛筆
/
インク
- 寸法 高さ 16.5in, 幅 23.5in
- アートワークの状態 アートワークは完璧な状態です
- フレーミング このアートワークは額装されていません
- カテゴリ 幾何学的な アーキテクチャ
The piece was drawn in ink and graphite using a traditional architectural drawing board, employing an experimental approach that is inspired the conceptual philosophies of Dadaism, Constructivism, and Pataphysics. Within this approach, each drawing is a result of an unplanned process of drawing, with no preconceived end point in mind. In doing so, the work navigates itself into a position of resistance against the contemporary, digitally quantifiable modes of production that are found within the current architectural profession. The internal logics and rationales that lie within each drawing develop and establish themselves while the drawing is being constructed, through a slow process of spatial, formal, and compositional negotiation. It is produced with a desire to create projections that question the notion of interpretation and readability in architectural drawing. It establishes an ocular field within which it requires the viewer to, firstly, orientate themselves within the composition, and, secondly, to spatially explore the series of vectors establishing and constructing an architectural imaginary from one’s own interpretative sub-conscious.
The end point may result in an abstract visual archive of architectural thinking, whilst others may manifest into far more literal projections of a possible architecture. There is always an instinctive catalyst for a drawing, but never an aim.
Thanks for reading. If you have any questions about the work, please don not hesitate to get contact me.
All the best,
David
関連テーマ
Architectural DrawingAxonometricHand DrawingPencil DrawingMinimalist
Hi, I'm David Boyd and I’m an artist, teacher, and trained architect based in Newcastle Upon Tyne, UK. My work explores the relationships and tensions that lie between architectural drawing and fine art practice.
All of my drawings are hand drawn using a traditional A1 architectural drawing board, using pen, pencil, and adjustable set square. They are produced employing an approach inspired by the philosophical notions of Dadaism, Constructivism, and Pataphysics. With this approach, each drawing is a result of an unplanned process, with no preconceived end point in mind. The logic and rationale for each drawing is developed and established while the drawing is being constructed, through a slow process of spatial, formal, and compositional negotiation. The end point may result in an abstract visual archive of architectural thinking, whilst others may manifest into far more literal projections of a possible architecture. There is always a reason for a drawing, but never an aim.
The passion that drives my work is the desire to explore and create projections which question the notion of interpretation and readability in architectural drawing. I aim to create work which requires the viewer to, firstly, orientate themselves within the composition, and, secondly, to spatially explore the series of vectors and forms. The drawings are an offering to the viewer for them to inhabit and contextualise for themselves, constructing an architectural imaginary from one’s own interpretative sub-conscious
MY TRAINING
During the time I was studying for my fine art degree, from which I graduated in 2006, I developed a passion for Constructivist art, with a particular interest in Kazimir Malevich and his Suprematist / Architekton studies. My interest in such work inspired me to then pursue architecture, and, in 2010, I began the long process of studying to become an architect, graduating in 2018.
I have previously practised architecture in Bristol, UK, and, currently, teach as an architectural design tutor on the Masters in Architecture programme at Newcastle University. Alongside this, I am also studying for a PhD, which scrutinises the philosophical roles and mechanisms of architectural representation within the context of the ocular methods of hand drawn parallel projection.
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国籍:
イギリス
- 生年月日 : 1985
- 芸術的ドメイン:
- グループ: 現代イギリスの芸術家