" 057-22 " adlı eserin Wacław Wantuch tarafından satın alma opsiyonlu olarak kiralanması
Wacław Wantuch imzalı Resimler satın alma seçeneğiyle kiralanabilir
Aylık ödemelerinizi seçin:
Leasing hakkında bilgi talebi "057-22"
İletişim, bir finansman uzmanı 24 saat içinde size geri dönüş yapacaktır:
Sıkça Sorulan Sorular
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
Yazar hakkında
Tylko wyjątkowo kupuję gotową farbę, bo zwykle maluję obrazy farbami, które robię sam w swojej pracowni. Odtwarzam technologie starych mistrzów malarstwa olejnego. Farby na obrazach Rembrandta, da Vinci czy Vermeera często zawierają ten sam rodzaj pigmentów ziemnych. Dawniej te surowce sprowadzano jedwabnym szlakiem a dziś zamawiam je przez internet albo szukam ich na targach minerałów. Jeżeli potrzebne są pigmenty, jakich używano już w malarstwie jaskiniowym, wtedy razem z geologami szukam ich w jaskiniach.
Olej lniany zagęszczam na słońcu według XIV-wiecznej receptury Cennina Cenniniego, autora „Rzecz o malarstwie”. Taki olej utarty z pigmentem jest doskonałym spoiwem wykorzystywanym do techniki laserunku. Laserunek, czyli metodę nakładania wielu warstw półprzeźroczystej farby, od wieków stosowali wielcy mistrzowie malarstwa olejnego.
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Milliyet:
POLONYA
- Doğum tarihi : 1965
- Sanatsal alanlar: Profesyonel sanatçıların eserleri,
- Gruplar: Profesyonel Sanatçı Çağdaş Polonyalı Sanatçılar
