Irena Aizen
Irena Aizen 是一位当代俄罗斯艺术家。从小,她就被一种代表家庭第三代艺术家的创作氛围所包围。不出所料,Irena 的人生轨迹自然而然,十岁时,她在艺术学院开始了她的专业训练,然后在学院继续学习。在俄罗斯,Irena 曾在一家图书出版社担任插画师,但当她移居以色列后,她继续发展她的艺术生涯,在画廊展出她的作品,并开始参加世界各地的展览。
她的作品在俄罗斯艺术博物馆(美国泽西市)、拉脱维亚朴素艺术博物馆(里加)、图拉美术馆(俄罗斯)、Galerie Natalie Boldyreff(法国巴黎)、Danielle Peleg 画廊(美国)、Tribes Fine Art Gallery(以色列特拉维夫)、Egozi Gallery(以色列特拉维夫)、Art & About Gallery(以色列),可能在美国、加拿大、澳大利亚、德国、俄罗斯、以色列、英国、中国等
Irena Aizen 出生于俄罗斯,毕业于雅罗斯拉夫尔艺术学院。她在以色列生活和工作。
探索Irena Aizen的当代艺术品,浏览最近的艺术品并在线购买。 分类: 当代以色列艺术家. 艺术领域: 印花与版画, 绘画. 帐户类型: 艺术家 , 加入会员自2008 (出生国家 以色列). 在Artmajeur上购买Irena Aizen的最新作品: Irena Aizen:发现惊人的作品的当代艺术家。浏览艺术品,购买原创作品或高档的印象。
艺术家的评价, 传记, 艺术家的画室:
Original Paintings • 23艺术品
查看全部Original paintings - Sold • 81艺术品
查看全部An excerpt from the article "The unreal world of Irena Aizen"
by Olga Morozova
PhD in art history
Senior assistant
A.S.Pushkin State Museum of Fine Arts, Moscow
Framed Print on Canvas • 75艺术品
查看全部Limited Edition Canvas Prints 50 cm • 41艺术品
查看全部Limited Edition Canvas Prints 65 cm • 74艺术品
查看全部Prints on Paper, Framed • 6艺术品
查看全部Graphic arts • 19艺术品
查看全部由UNTARBUTLESS Art group出售 • 38艺术品
查看全部由Galerie Natalie Boldyreff出售 • 2艺术品
查看全部承认
艺术家因其作品而受到认可
艺术家是平台上最受欢迎的艺术家之一
艺术家的作品存在于博物馆或公共收藏中
艺术家由画廊正式代理
艺术家在 Artmajeur 杂志的一篇文章中被强调
艺术家通过他的学术研究学习艺术
艺术家作品已被编辑部注意到
艺术家在画廊出售
传记
Irena Aizen 是一位当代俄罗斯艺术家。从小,她就被一种代表家庭第三代艺术家的创作氛围所包围。不出所料,Irena 的人生轨迹自然而然,十岁时,她在艺术学院开始了她的专业训练,然后在学院继续学习。在俄罗斯,Irena 曾在一家图书出版社担任插画师,但当她移居以色列后,她继续发展她的艺术生涯,在画廊展出她的作品,并开始参加世界各地的展览。
她的作品在俄罗斯艺术博物馆(美国泽西市)、拉脱维亚朴素艺术博物馆(里加)、图拉美术馆(俄罗斯)、Galerie Natalie Boldyreff(法国巴黎)、Danielle Peleg 画廊(美国)、Tribes Fine Art Gallery(以色列特拉维夫)、Egozi Gallery(以色列特拉维夫)、Art & About Gallery(以色列),可能在美国、加拿大、澳大利亚、德国、俄罗斯、以色列、英国、中国等
Irena Aizen 出生于俄罗斯,毕业于雅罗斯拉夫尔艺术学院。她在以色列生活和工作。
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认证的艺术家的价值
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Irena Aizen - Catalog of Prints on canvas
The artist Irena Aizen presents for your attention a catalog of Limited Edition prints on canvas.
2016 - Danielle Peleg Gallery (USA)
Solo Exhibition.
2015 - Art About - Israeli Worldwide Exhibition (Frankfurt, Germany)
Group Exhibition.
ART WORKS International Art Show (Munich, Germany) - September 2014
Group Exhibition.
Ein Hod Artists Village (Israel) - March 2013
Solo Exhibition.
Imagination Israeli Art - 2014
Group Exhibition. Bank Hapoalim (Tel Aviv, Israel)
Imagination Israeli Art - 2011
Group Exhibition. Bank Hapoalim (Tel Aviv, Israel)
Naive art museum of Latvia (Riga) – May 2011
Solo Exhibition – “The unreal world of Irena Aizen”
Solo exhibition in the Ein Hod Central Art Gallery
From 10/3/2009 till 11/15/2009
The Ein Hod Central Art Gallery, one of the largest galleries in Israel, is located in the heart of the village. It was founded in 1953 during the first days of the establishment of the artists' village and has since been an integral part of the creative community.
Designated by the founders as a show case for artists living and working in the village, it soon gained the reputation of exhibiting outstanding original works.
The gallery today is a complex of several spaces, and in addition to permanently presenting works of over a hundred artists, showing solo and group exhibitions in all fields of arts and crafts from Israel and abroad, it is also a center for cultural activities, exchanges of ideas, lectures and special workshops.
Solo exhibition
From 1/2/2010 till 1/31/2010
EIN HOD ARTISTS VILLAGE
Purple Gate Gallery
index.php?option=com_exhibitions&view=specificexhibition&exhibition_id=29
"Secrets", group exhibition
From 1/23/2010 till 4/20/2010
EIN HOD ARTISTS VILLAGE
EIN HOD ARTISTS GALLERY
en/news.asp
Imagination Israeli Art - 2010
Group Exhibition. Bank Hapoalim (Tel Aviv, Israel)
Mizpe Hayamim Art Gallery (Israel) - 2010
Solo Exhibition
Museum of Russian Art (MORA) Jersey City, NJ - April 2012
Group Exhibition
SALON D’ART CONTEMPORAIN BUSINESS ART - 2010
l’Espace Pierre Cardin (Paris, France) 14 - 17/10/2010
Jerusalem House of Quality (Israel) - 2009
Group Exhibition.
Little hare in the highest degree
Ilmars Zvirgzds „Little hare in the highest degree: The exhibition of the paintings of Irena Aizen at the Museum of Naive Art"
(Excerpts)
...
As it can be guessed from many known and unknown events, in which the image of a hare is involved, it was not a coincidence, and I went to see the hare.
... Irena Aizen who has received classical art education, has created artworks in the framework of traditional painting for a long time, and has comparatively recently turned to the genre of naive art. This turn was a conscious step that the artist herself has explained in her lectures and interviews, but can be seen the best in her works.
Almost 20 artworks placed in one of the rooms of the Museum of Naive Art, surprise the viewer with the homogeneity of their colour, background and message. The dates of the paintings demonstrate that they have been created in the last three years. It seems unnecessary for me to evaluate the technique of the artworks, especially their material aspects, but they are all impeccable from the viewer’s point of view. In the framework of the naive art, disregarding how disputable this term is, the main thing is the idea and the message of the artist. In the case of the exhibition of Irena Aizen, the main hero is a little hare.
...
Looking for the explanation of the image of hare for a longer time in different mythological traditions, I can claim that the hare of Irena Aizen is close to the concentrate of mythical saturation. The hare who is the symbol of both wisdom and foolishness, the ideal of both fertility and chastity, the bearer of both richness and poverty, most often reveals itself as a dexterous personage who begins processes, unite the split into a whole, gives power and new beginning. Even if nobody is able to confirm or deny the influence of a concrete mythical hare in the works of Irena Aizen, the fact that gods have the ears of a hare from the Far East to the traditions of the North American Indians, is sufficient for the viewer to understand that these traditions have influenced the artist. It is even not so important which traditions these are, because the priority of painting is a visual insight, and careful viewer will notice the independence of the image of hare. The hares in the paintings are similar enough to give the clear signal that in fact, the little hare is one, the only, the universal one. The hare in the highest degree.
In the Jewish tradition and language the concept of hare is connected with cunning. Linguistically, shfanim of Ivrit is clearly related to cunning, therefore, seeing the artworks of Irena Aizen and knowing that she is an Israeli artist, one is surprised because the naive (not in the sense of genre, but in the literal sense) rosy white image of the hare with wide-open eyes contrasts sharply with seemingly well-known linguistic stereotype. This is not a “fake hare” that is on the table and of which everyone is sure that it is not real. This is a little hare, I want to say – hare in the skin of lamb who enslaves the viewers and imposes its thoughts on them.
...
Dominance, friendship, submission, interdependence and the other forms of links and linkages – they are visually shown as different sorts of ties – is only the background of the hare of cosmic scale who fills and maintains everything. Yes, the hare can also be a baby, and in this sense the solution of Irena Aizen has been borrowed from the sacred art – there is no baby hare, because the hare is small only in terms of size, otherwise it is the same adult universal hare.
Another confusing question that perhaps derives from the grammar of the Latvian language, but not from only that, is the gender of hare. Looking at different pictures of hare and reflecting on the mythological functions of hare – for example, a West African myth that the hare had the task to bring people immortality, but it mixed up everything and instead of immortality brought death – the personage of hare associates with a masculine element. The imagination, quick wit, fecundity and agility seem to undoubtedly be masculine symbols. However, the hares of Irena Aizen are all in dresses, if not to count monsters. And even if girls are often called “hares” in the street (why?), it is enough to look into the faces of hares, but moreover into their eyes, to understand that the belonging to a concrete sex or gender is a construction of mind created by laziness. Hare is an androgynous creation who possesses the best and the worst features of both genders. In the painting “Name’s day”, the hare as a white angel flies over a table, here and there, and eternally.
Magazine „Rigas Laiks”, June 2011
Four artists - four opinions
Group Exhibition
"Castra" gallery Haifa, Israel. 2007
文章
Irena says:
"I use images of animals to tell about people,
furthermore, certainly about relations between a man and a woman.
After all, we are all a bit animals...
Pyramids, that I create, have a philosophical and spiritual concept that reflects a balance of opposing forces in human life.
Each element of a pyramid is a symbol and has an implicit meaning.
For example:
- The bird symbolizes spirituality.
- The key is the answer to the questions.
The human desire for harmonious development is emphasized in the paintings. All elements of a pyramid are interconnected.
However, each viewer can find their own correlation of these elements."