Irena Aizen
Irena Aizen, çağdaş bir Rus sanatçısıdır. Çocukluğundan beri, ailesindeki üçüncü kuşak sanatçıları temsil eden yaratıcı bir atmosferle çevriliydi. Şaşırtıcı olmayan bir şekilde, Irena'nın yaşam yolu doğal olarak tanımlanmıştı ve on yaşında profesyonel eğitimine bir sanat akademisinde başladı ve daha sonra kolejde devam etti. Rusya'da bir kitap yayınevinde illüstratör olarak çalışan Irena, İsrail'e taşındığında sanat kariyerini geliştirmeye devam etti, eserlerini galerilerde sergiledi ve dünyanın her yerindeki sergilere katılmaya başladı.
Eserleri Museum of Russian Art (Jersey City, ABD), The Naive Art Museum of Letonya (Riga), The Tula Museum of Fine Arts (Rusya), Galerie Natalie Boldyreff (Paris, Fransa), Danielle Peleg Gallery'de sergilenmektedir ( ABD), Tribes Güzel Sanatlar Galerisi (Tel Aviv, İsrail), Egozi Galerisi (Tel Aviv, İsrail), Art & About Gallery (İsrail) ve ABD, Kanada, Avustralya, Almanya'da özel koleksiyonların parçası olarak bulunabilir, Rusya, İsrail, İngiltere, Çin vb.
Irena Aizen, Yaroslavl Sanat kolejinden mezun olduğu Rusya'da doğdu. İsrail'de yaşıyor ve çalışıyor.
Çağdaş sanat eserlerini Irena Aizen ile keşfedin, en yeni sanat eserlerine göz atın ve çevrimiçi satın alın. Kategoriler: çağdaş i̇srailli sanatçılar. Sanatsal alanlar: Baskıresim, Tablo. Hesap türü: Sanatçı , 2008 üyelik (Menşei ülke İsrail). Irena Aizen'nin Artmajeur'daki son çalışmalarını satın al: Irena Aizen: çağdaş sanatçı tarafından çarpıcı eserler keşfedin. , Eserleri göz atın özgün eserler ya da lüks gösterim satın.
Sanatçının değerlendirmesi, Biyografi, Sanatçının stüdyo:
Original Paintings • 23 sanat
Hepsini görOriginal paintings - Sold • 81 sanat
Hepsini görAn excerpt from the article "The unreal world of Irena Aizen"
by Olga Morozova
PhD in art history
Senior assistant
A.S.Pushkin State Museum of Fine Arts, Moscow
Framed Print on Canvas • 75 sanat
Hepsini görLimited Edition Canvas Prints 50 cm • 41 sanat
Hepsini görLimited Edition Canvas Prints 65 cm • 74 sanat
Hepsini görPrints on Paper, Framed • 6 sanat
Hepsini görGraphic arts • 19 sanat
Hepsini görUNTARBUTLESS Art group tarafından satılır • 38 sanat
Hepsini görGalerie Natalie Boldyreff tarafından satılır • 2 sanat
Hepsini görTanıma
Sanatçı eseriyle tanınır
Sanatçı, platformda en çok talep edilenler arasında
Sanatçının eserleri müzelerde veya kamu koleksiyonlarında bulunmaktadır.
Sanatçı resmi olarak bir galeri tarafından temsil edilmektedir.
Sanatçı, Artmajeur Magazine'deki bir makalede vurgulandı
Sanatçı, akademik çalışmalarıyla sanat eğitimi aldı.
Sanatçının eserleri editörler tarafından fark edildi.
Sanatçı galerilerde satılıyor
Biyografi
Irena Aizen, çağdaş bir Rus sanatçısıdır. Çocukluğundan beri, ailesindeki üçüncü kuşak sanatçıları temsil eden yaratıcı bir atmosferle çevriliydi. Şaşırtıcı olmayan bir şekilde, Irena'nın yaşam yolu doğal olarak tanımlanmıştı ve on yaşında profesyonel eğitimine bir sanat akademisinde başladı ve daha sonra kolejde devam etti. Rusya'da bir kitap yayınevinde illüstratör olarak çalışan Irena, İsrail'e taşındığında sanat kariyerini geliştirmeye devam etti, eserlerini galerilerde sergiledi ve dünyanın her yerindeki sergilere katılmaya başladı.
Eserleri Museum of Russian Art (Jersey City, ABD), The Naive Art Museum of Letonya (Riga), The Tula Museum of Fine Arts (Rusya), Galerie Natalie Boldyreff (Paris, Fransa), Danielle Peleg Gallery'de sergilenmektedir ( ABD), Tribes Güzel Sanatlar Galerisi (Tel Aviv, İsrail), Egozi Galerisi (Tel Aviv, İsrail), Art & About Gallery (İsrail) ve ABD, Kanada, Avustralya, Almanya'da özel koleksiyonların parçası olarak bulunabilir, Rusya, İsrail, İngiltere, Çin vb.
Irena Aizen, Yaroslavl Sanat kolejinden mezun olduğu Rusya'da doğdu. İsrail'de yaşıyor ve çalışıyor.
- Milliyet: İSRAIL
- Doğum tarihi : 1962
- Sanatsal alanlar:
- Gruplar: Çağdaş İsrailli Sanatçılar
etkiler
Eğitim
Sertifikalı Sanatçı değeri
Galeriler & Gruplar
2 Sanat Galerileri veya Gruplar tarafından sunulmuştur
Başarılar
Artmajeur kullanıcısının aktiviteleri
Son Haberler
Çağdaş sanatçı Irena Aizen en son haberler
Irena Aizen - Catalog of Prints on canvas
The artist Irena Aizen presents for your attention a catalog of Limited Edition prints on canvas.
2016 - Danielle Peleg Gallery (USA)
Solo Exhibition.
2015 - Art About - Israeli Worldwide Exhibition (Frankfurt, Germany)
Group Exhibition.
ART WORKS International Art Show (Munich, Germany) - September 2014
Group Exhibition.
Ein Hod Artists Village (Israel) - March 2013
Solo Exhibition.
Imagination Israeli Art - 2014
Group Exhibition. Bank Hapoalim (Tel Aviv, Israel)
Imagination Israeli Art - 2011
Group Exhibition. Bank Hapoalim (Tel Aviv, Israel)
Naive art museum of Latvia (Riga) – May 2011
Solo Exhibition – “The unreal world of Irena Aizen”
Solo exhibition in the Ein Hod Central Art Gallery
From 10/3/2009 till 11/15/2009
The Ein Hod Central Art Gallery, one of the largest galleries in Israel, is located in the heart of the village. It was founded in 1953 during the first days of the establishment of the artists' village and has since been an integral part of the creative community.
Designated by the founders as a show case for artists living and working in the village, it soon gained the reputation of exhibiting outstanding original works.
The gallery today is a complex of several spaces, and in addition to permanently presenting works of over a hundred artists, showing solo and group exhibitions in all fields of arts and crafts from Israel and abroad, it is also a center for cultural activities, exchanges of ideas, lectures and special workshops.
Solo exhibition
From 1/2/2010 till 1/31/2010
EIN HOD ARTISTS VILLAGE
Purple Gate Gallery
index.php?option=com_exhibitions&view=specificexhibition&exhibition_id=29
"Secrets", group exhibition
From 1/23/2010 till 4/20/2010
EIN HOD ARTISTS VILLAGE
EIN HOD ARTISTS GALLERY
en/news.asp
Imagination Israeli Art - 2010
Group Exhibition. Bank Hapoalim (Tel Aviv, Israel)
Mizpe Hayamim Art Gallery (Israel) - 2010
Solo Exhibition
Museum of Russian Art (MORA) Jersey City, NJ - April 2012
Group Exhibition
SALON D’ART CONTEMPORAIN BUSINESS ART - 2010
l’Espace Pierre Cardin (Paris, France) 14 - 17/10/2010
Jerusalem House of Quality (Israel) - 2009
Group Exhibition.
Little hare in the highest degree
Ilmars Zvirgzds „Little hare in the highest degree: The exhibition of the paintings of Irena Aizen at the Museum of Naive Art"
(Excerpts)
...
As it can be guessed from many known and unknown events, in which the image of a hare is involved, it was not a coincidence, and I went to see the hare.
... Irena Aizen who has received classical art education, has created artworks in the framework of traditional painting for a long time, and has comparatively recently turned to the genre of naive art. This turn was a conscious step that the artist herself has explained in her lectures and interviews, but can be seen the best in her works.
Almost 20 artworks placed in one of the rooms of the Museum of Naive Art, surprise the viewer with the homogeneity of their colour, background and message. The dates of the paintings demonstrate that they have been created in the last three years. It seems unnecessary for me to evaluate the technique of the artworks, especially their material aspects, but they are all impeccable from the viewer’s point of view. In the framework of the naive art, disregarding how disputable this term is, the main thing is the idea and the message of the artist. In the case of the exhibition of Irena Aizen, the main hero is a little hare.
...
Looking for the explanation of the image of hare for a longer time in different mythological traditions, I can claim that the hare of Irena Aizen is close to the concentrate of mythical saturation. The hare who is the symbol of both wisdom and foolishness, the ideal of both fertility and chastity, the bearer of both richness and poverty, most often reveals itself as a dexterous personage who begins processes, unite the split into a whole, gives power and new beginning. Even if nobody is able to confirm or deny the influence of a concrete mythical hare in the works of Irena Aizen, the fact that gods have the ears of a hare from the Far East to the traditions of the North American Indians, is sufficient for the viewer to understand that these traditions have influenced the artist. It is even not so important which traditions these are, because the priority of painting is a visual insight, and careful viewer will notice the independence of the image of hare. The hares in the paintings are similar enough to give the clear signal that in fact, the little hare is one, the only, the universal one. The hare in the highest degree.
In the Jewish tradition and language the concept of hare is connected with cunning. Linguistically, shfanim of Ivrit is clearly related to cunning, therefore, seeing the artworks of Irena Aizen and knowing that she is an Israeli artist, one is surprised because the naive (not in the sense of genre, but in the literal sense) rosy white image of the hare with wide-open eyes contrasts sharply with seemingly well-known linguistic stereotype. This is not a “fake hare” that is on the table and of which everyone is sure that it is not real. This is a little hare, I want to say – hare in the skin of lamb who enslaves the viewers and imposes its thoughts on them.
...
Dominance, friendship, submission, interdependence and the other forms of links and linkages – they are visually shown as different sorts of ties – is only the background of the hare of cosmic scale who fills and maintains everything. Yes, the hare can also be a baby, and in this sense the solution of Irena Aizen has been borrowed from the sacred art – there is no baby hare, because the hare is small only in terms of size, otherwise it is the same adult universal hare.
Another confusing question that perhaps derives from the grammar of the Latvian language, but not from only that, is the gender of hare. Looking at different pictures of hare and reflecting on the mythological functions of hare – for example, a West African myth that the hare had the task to bring people immortality, but it mixed up everything and instead of immortality brought death – the personage of hare associates with a masculine element. The imagination, quick wit, fecundity and agility seem to undoubtedly be masculine symbols. However, the hares of Irena Aizen are all in dresses, if not to count monsters. And even if girls are often called “hares” in the street (why?), it is enough to look into the faces of hares, but moreover into their eyes, to understand that the belonging to a concrete sex or gender is a construction of mind created by laziness. Hare is an androgynous creation who possesses the best and the worst features of both genders. In the painting “Name’s day”, the hare as a white angel flies over a table, here and there, and eternally.
Magazine „Rigas Laiks”, June 2011
Four artists - four opinions
Group Exhibition
"Castra" gallery Haifa, Israel. 2007
makale
Irena says:
"I use images of animals to tell about people,
furthermore, certainly about relations between a man and a woman.
After all, we are all a bit animals...
Pyramids, that I create, have a philosophical and spiritual concept that reflects a balance of opposing forces in human life.
Each element of a pyramid is a symbol and has an implicit meaning.
For example:
- The bird symbolizes spirituality.
- The key is the answer to the questions.
The human desire for harmonious development is emphasized in the paintings. All elements of a pyramid are interconnected.
However, each viewer can find their own correlation of these elements."