Lease Disegni by Jim Williams

Leasing dell’opera “ Sketch#365 ” di Jim Williams con opzione di acquisto

Le Disegni di Jim Williams sono disponibili per il noleggio con opzione di acquisto

Disegno intitolato "SKETCH#365" da Jim Williams, Opera d'arte originale, Acrilico
SKETCH#365 (2022)
Disegno da Jim Williams - 22x24 in
472 USD

Scegli i tuoi pagamenti mensili:

Pagamenti mensili
39,19 €+IVA
Valore residuo
13,18 €+IVA
Risparmio fiscale
145,07 €+IVA
Costo totale
378 €+IVA
Pagamenti mensili
22,86 €+IVA
Valore residuo
13,18 €+IVA
Risparmio fiscale
156,47 €+IVA
Costo totale
405 €+IVA
Pagamenti mensili
15,84 €+IVA
Valore residuo
13,18 €+IVA
Risparmio fiscale
162,45 €+IVA
Costo totale
421 €+IVA
Pagamenti mensili
12,66 €+IVA
Valore residuo
13,18 €+IVA
Risparmio fiscale
173,28 €+IVA
Costo totale
448 €+IVA
* Questa è solo una simulazione indicativa. Una proposta contrattuale ti sarà inviata dopo lo studio dei tuoi documenti giustificativi e la convalida del tuo dossier da parte del nostro partner finanziario.

Richiesta di informazioni sul leasing "Sketch#365"

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What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

Maggiori informazioni

SKETCH#365 (2022)
Disegno da Jim Williams - 22x24 in
Disegno intitolato "SKETCH#365" da Jim Williams, Opera d'arte originale, Acrilico

Riguardo l'autore

Seguire
James S. Williams has been making art since he copied the cool hot rod t-shirt designs of Stanley Mouse as a teenager. Born in Memphis, Jim grew up in Dallas and studied art and sculpture at Stephen F. Austin[...]

James S. Williams has been making art since he copied the cool hot rod t-shirt designs of Stanley Mouse as a teenager. Born in Memphis, Jim grew up in Dallas and studied art and sculpture at Stephen F. Austin State University and North Texas University. In 1972, Jim moved to Austin, joining the counter-culture lifestyle which offered a low cost of living, eclectic array of creatives, and burgeoning music and art scene.

 

In 1975-76 Jim owned Just Imagine Arts, a gallery on 6th Street where he showed local and Texas artists. Jim continued studying art through workshops on photography and silkscreen printing at Dougherty Cultural Arts Center. A practitioner of martial arts since the early 1960s, Jim has taught tai chi with Four Seasons Tai Chi the past 13 years.

 

The earliest influence on Jim’s artistic vision was 1950s car design, both European and American. As a teen, he designed his own futuristic model cars. Along with classic automotive design, he draws from a variety of influences including the art work of Franz Kline, Paul Klee, Chilean artist Roberto Matta, and pop icon Tom Wesselmann, as well as Chinese and Japanese calligraphy.

 

Inspired by his training as a sculptor, Jim has spent his artistic career exploring the ambiguity of three-dimensional objects in space and cultivating a practice of allowing the present moment and gestures of the brush to guide his work.

 

 

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