Lease artwork "Maximum Flux" by Brett Nickell with an option to purchase
Collages by Brett Nickell are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Brett Nickell was a child prodigy in visual arts and remains largely self-taught. At a very early age, he began drawing and writing stories and incorporating perspective sooner than child development experts deemed possible. In his teen years, he scored in the 99 percentile in abstract visualization and began to look at art as a serious endeavor.
His professional life took him into graphic design where he began to explore using computer software to create fine art. He was an early pioneer of using digital imaging in an artistic context. Eventually, he found a preference for making art more directly with his own hands and began working with pastels and crayons. He continued to experiment with various media until a multimedia approach was developed that incorporated collage, drawing, and painting.
He has been featured in dozens of personal exhibitions and has been awarded in several prestigious juried competitions in the United States. His work is primarily dedicated to the exploration of unconscious themes and uses many classical surrealist techniques to reach and bring forward these ideas but in an updated and contemporary manner.
His current body of work is centered on the information age in which the overwhelming volume of published information (information pollution) is upcycled into art. A recurring theme in this series is dehumanization resulting from reckless advances in technology and the struggle to maintain a sense of well-being in an increasingly unstable world that seems bent on self-annihilation.
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Nationality:
UNITED STATES
- Date of birth : 1967
- Artistic domains:
- Groups: Contemporary American Artists
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