Lease artwork "Sous-Bois En Dordogne" by Laurence Machard Brujas with an option to purchase
Paintings by Laurence Machard Brujas are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
My bill
I work on the crest line of the rainbow, between lightness and weightlessness. Citizen of the world, I inhabit my planet with a keen awareness, I seek balance, and I constantly experience it through the different forms of my art: relief paintings and sculptures. They are delicate and resistant, because they are made of paper stretched and mounted on a support, textured by prints, and painted with colored inks. They are made with biosourced materials. "Crossed by life", I seek to express my emotions, intuitions, engines of my thought.
My reflection
Josette Coras (20th century), Auguste Pointelin (19th century), two Jura residents, impressed me and reassured me in the idea that the invisible links that we have with nature and our environment are much more important and that we cannot imagine it. We are connected. I have deep admiration for cutting-edge advances in different fields (scientific, political, sociological, etc.). On the other hand, I remain convinced that there is a glaring asymmetry on the 'other side of the axis': that of the work that humans must undertake on the ground of humility and respect... Art allows me to invest myself in this mission by animating materials and colors. They intertwine with the unpainted void, in the quest for osmosis. The paintings are irrigated by the breath in a fragile swing.
The roots of my creation
The first step in my journey is my training at the ISBA in Besançon (Doubs ) in 1982. Solar era with attendance at the sculpture workshops of Jacques Voitot and Jean Gilles, and the painting course of the demanding and profound Jean Ricardon, of engravings by Georges Oudot…
In this quest of meaning, I extended my reflection by continuing at Paris Sorbonne in the Plastic Arts section. A period nourishing rich projects and “Christo-style” installations in the classroom in Paris...
The creative tree structure in progress
The artists of lyrical abstraction, impressionism, conceptualism and especially the masters of China and Japan, constantly nourish my work.
My artistic journey (accomplishments):
ISBA (School of Fine Arts of Besançon/ UFR of Besançon History of Art and Archeology/ Master II Plastic Arts Paris Sorbonne.
* Visit my site to also discover my production sculptures and nomadic installations
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Nationality:
FRANCE
- Date of birth : 1962
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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