Lease Sculptures by Olivier Goupil Artbre

Lease artwork "Isihlahla Esidansayo" by Olivier Goupil Artbre with an option to purchase

Sculptures by Olivier Goupil Artbre are available for lease with purchase option

Sculpture titled "isihlahla esidansayo" by Olivier Goupil Artbre, Original Artwork, Metals
isihlahla esidansayo (2019)
Sculpture by Olivier Goupil Artbre - 5.9x5.9 in
$864.49

Select your monthly installments:

Monthly installments
€71.77+VAT
Residual value
€24.14+VAT
Tax Savings
€265.91+VAT
Total Cost
€691+VAT
Monthly installments
€41.86+VAT
Residual value
€24.14+VAT
Tax Savings
€286.43+VAT
Total Cost
€742+VAT
Monthly installments
€29.01+VAT
Residual value
€24.14+VAT
Tax Savings
€297.54+VAT
Total Cost
€771+VAT
Monthly installments
€23.19+VAT
Residual value
€24.14+VAT
Tax Savings
€317.21+VAT
Total Cost
€820+VAT
* This is an indicative simulation only. A contractual proposal will be sent to you after study of your supporting documents and validation of your file by our financial partner.

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Frequently Asked Questions

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

More info

isihlahla esidansayo (2019)
Sculpture by Olivier Goupil Artbre - 5.9x5.9 in
Sculpture titled "isihlahla esidansayo" by Olivier Goupil Artbre, Original Artwork, Metals

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Olivier Goupil is a contemporary French sculptor who delves deeply into the study of trees, their intricate fractals, and the harmonious existence of forest ecosystems. His chosen[...]

Olivier Goupil is a contemporary French sculptor who delves deeply into the study of trees, their intricate fractals, and the harmonious existence of forest ecosystems. His chosen medium is recycled copper wire sourced from industrial materials, along with the full spectrum of its natural corrosions.

Goupil's artistic journey centers around a singular subject matter – trees – with their almost infinite diversity of forms and compositions. He employs a seemingly simple medium, copper wire, which nonetheless exudes a sense of nobility and can be molded into intricate shapes with minimal tools. What he seeks in this newfound artistic expression is a sense of simplicity, which becomes most apparent when one shifts their focus from the sculpture itself to the shadows it casts throughout the day. It is a remarkable transformation, where the interplay of light and mere grams of industrial waste conjure forth incredibly lifelike representations of nature.

In the early phases of his artistic exploration, Goupil derived great pleasure from pushing the plastic boundaries of copper. His aim was to capture the essence of different tree species in all their diversity and evolution over time. Utilizing wires ranging from 0.18 to 4mm in diameter, he found himself able to create parts of varying sizes and achieve a wide range of artistic results. Additionally, he experimented with corrosion processes that allowed him to impart different verdigris and blue hues to the copper or modulate the inherent luminosity of natural copper, leading to deeper browns and, ultimately, a matte black reminiscent of shadows.

Through his sculptures of trees, Goupil delves deep into the collective memory of the seasons, the resilience against powerful winds, the earthy aroma after rainfall, and the architectural nuances of different tree species. He approaches his art through an accumulative process, beginning at the base and threading each copper strand through the tree, from roots to twigs. His creative journey treads the delicate line between faithful replication and total improvisation. He revels in the successive phases of seemingly chaotic arrangements as tens or thousands of threads gradually align toward his ultimate quest: capturing a fragment of the emotional connection he feels when gazing upon real trees.

Attempting to articulate this profound relationship with trees seems almost like a betrayal, for they invite us into their silent world. Long before we consume breast milk, it is the oxygen they provide that fills our lungs, initiating an unspoken, lifelong exchange. The forest, constantly evolving and maintaining its delicate balance, shelters a multitude of diverse beings that both constitute and shape it. In comparison, our human societal development appears more chaotic and, perhaps, less tolerant and sustainable. In the presence of trees, we find a lesson we may have overlooked.

The tree transcends generations and cultures, almost bordering on the universal. It has become apolitical, aconfessional, and asexual, even though it once symbolized the axis of the world, connecting humanity to wisdom. This wisdom often eludes us, leaving us with the sensation that it is the empty spaces between the strands of copper that Goupil must endeavor to sculpt, striving to capture the essence of the trees that silently beckon us into their world.

See more from Olivier Goupil Artbre

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