Lease artwork "My Country - Kudditji Kngwarreye" by Kudditji Kngwarreye with an option to purchase
Paintings by Kudditji Kngwarreye are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Kudditji Kngwarreye (1938-2017), revered as an Anmatyerre Elder and custodian of significant Dreaming stories, left an indelible mark on the world of Indigenous art. An innovative force and consummate colorist, Kudditji's journey into the realm of painting began in 1986, around the same period as his celebrated older sister, the late Emily Kame Kngwarreye, a transformative figure in the Indigenous Fine Art Movement.
Hailing from the Alhalkere region in the remote Utopia, situated approximately 250 kilometers north-east of Alice Springs, Kudditji Kngwarreye experienced a traditional upbringing and initiation into his cultural heritage. Despite this, he seamlessly adapted to Western civilization, embarking on a career as a highly regarded Stockman. His diverse experiences also led him to work in mineral and gold mines operating in the region before ultimately choosing painting as his vocation.
Kudditji's artistic evolution took a distinctive turn in 2003 when he delved into the "dump dump" or "dump dot" technique, made famous by his sister Emily. While the family resemblance in their artistic approach is evident, Kudditji's creations, characterized by beautiful, soft, and mesmerizing landscapes of Alhalkere, are unequivocally his own. His solo exhibitions, particularly in Australia and London, garnered widespread acceptance and acclaim.
In his paintings, Kudditji masterfully depicted romanticized images of his country, capturing the essence of the earth's colors and forms, the vastness of the sky, and the shimmering summer heat. These artworks serve as a testament to his profound knowledge of and deep affection for his homeland. His ability to express the intricate details of the landscape revealed not only an artist's eye but also a custodian's connection to the Dreaming stories embedded in the land.
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Nationality:
AUSTRALIA
- Date of birth : unknown date
- Artistic domains: Represented by a Gallery,
- Groups: Contemporary Australian Artists Artists presented by a gallery
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