Drawing titled "Je t'aime toujours,…" by Carine Augustiniak, Original Artwork, Pencil

Je t'aime toujours, d'amour. (2018) Drawing by Carine Augustiniak

Not For Sale

Seller Carine Augustiniak

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This image is available for download with a licence

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$32.30

Media Licence

$129.20

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$269.18

Max resolution: 720 x 735 px

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Seller Carine Augustiniak

Original Artwork (One Of A Kind) Drawing, Pencil / Acrylic / Marker / Ballpoint pen on Paper

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions Height 11.8in, Width 11.8in
Framing This artwork is not framed
Categories Illustration

Je t'aime toujours ... d'amour.

Inspirée en écoutant la chanson " Pâle septembre" de la talentueuse Camille.

Camille - Pâle Septembre -

Pâle septembre,
comme il est loin,
le temps du ciel sans cendres
il serait temps de s'entendre
sur le nombre de jours qui
jonchent le sol
d'octobre
Mêle si tendre
au début de novembre
devint sourd aux avances de l'amour
mais quel mal me prit
de m’éprendre de lui?
Sale décembre
comme il est lourd le ciel
sais-tu que les statues de sel
ont cessé de t'attendre?
Pâle Septembre
Entends-tu le glas que je sonne?
Je t'aime toujours d'amour
je sème l'amour
Les saisons passent mais de grâce
faisons semblant qu'elles nous ressemblent
Mais qui est cet homme qui tombe de la tour?
Mais qui est cet homme qui tombe des cieux?
Mais qui est cet homme qui tombe amoureux?
Pâle Septembre,
comme il est loin,
le temps du ciel sans cendres
il serait temps de s'entendre.

About this artwork: Classification, Techniques & Styles

Acrylic

Paint using traditional pigments mixed with synthetic resins.

Marker

Drawing made using a large felt with its own ink source. The ink may or may not be indelible.

Technic Drawing

Drawing is a technique of visual representation on a flat support. The term "drawing" designates both the action of drawing, the resulting graphic work, and the shape of any object. It is also a representation on a surface of the shape (and possibly the light and shadow values) of an object or figure, rather than their color. There are a large number of drawing techniques: “Linear drawing” represents objects by their outlines, edges and some characteristic lines; beyond this limit, the drawing develops by representing the volume by shadows, often by means of hatching, incorporates colors, and joins, without clear transition, the painting.