Anton Terziev, a contemporary Bulgarian artist, is a master of using sharp irony as his artistic tool to engage with various contemporary subjects. His works are characterized by a profound use of iconography that conveys a stark and critical imagery. In his artistic repertoire, Anton skillfully weaves together elements of stakes, skills, and storytelling, resulting in figurative contemporary art that carries a fine touch of social commentary, humor, and messages about the artist's condition.
Anton Terziev draws inspiration from two distinct sources. Firstly, his art is often born from real-life occurrences, unfolding around him in a way that sparks his creative process. Secondly, his imagination plays a pivotal role in his work, allowing him to craft vivid and thought-provoking imagery. Each of his creations is garnished with subtle elements of pop culture, extracted from movies and books. Embedded within every piece is a narrative, a metatext that enriches the viewer's experience without overwhelming them, for Anton believes that good art communicates softly but effectively.
What distinguishes Anton's work is his unwavering commitment to leaving his audience with a sense of open-ended wonder. His pieces invite viewers to engage in a dialogue with the art, encouraging them to interpret, question, and explore the narratives he presents. Choosing the perfect title for his works is a challenge that he often tackles by drawing inspiration from literature, cinema, or music.
Anton Terziev's career as a painter is intricately intertwined with his identity as a writer. His ideas take shape in the form of paintings and art objects, reflecting his diverse talents. Beyond painting, he brings his artistic vision to life through performances, filmmaking, and design, demonstrating a multifaceted approach to creative expression.
Presented by 18 Art Galleries or Groups
Debetum
(Artists Association, United States)
ArtMexCat
(Art gallery, Spain)
beijing Art gallery
(Art gallery, United States)
Sfumato Art Gallery
(Art gallery, United States)
Museo Internacional Don Armando Sigifredo Reschini de Arte Contemporáneo
(Art gallery, Argentina)
Domux
(Art gallery, Switzerland)
damiani
(Art Agent, Greece)
Galeria Vertebrae
(Art gallery, Brazil)
Schneider Art Cooperation
(Art gallery, Austria)
Aksent Gallery
(Art gallery, Azerbaijan)
1stDibs Bank
(Art gallery, Georgia)
Artforyou
(Art gallery, Netherlands)
BRISS ART GALLERY
(Art gallery, Spain)
THE MOOD COLLECTOR
(Art gallery, Mexico)
Radharani
(Art gallery, Brazil)
Galería MOM-CHILE
(Art gallery, Chile)
NovAtlantis FLAI
(Art gallery, Italy)
Russian Gallery Ural
(Art gallery, Russia)
Anton terziev's exhibition Small Victories at Arosita Gallery, Sofia, 2019
Plus 359 Gallery, ulitsa "Galichitsa", Sofia, Bulgaria
“What we don’t see, doesn’t exist”
Elfriede Jelinek
The obvious, which we deny or ignore, shows us the real. In daily life, we humans tend, consciously or accidentally, to overlook, to repress or to block out inconvenient things from the world around us. We humans are good at using various methods and strategies to defamiliarise reality and assert normality even in the face of a threatening situation. It often proves easier to choose the path of silence or to take shelter in a language devoid of meaning in order to evade and not bring to consciousness a reality with which we do not want to confront.
A protective everyday experience is that unspoken truths are sometimes better left hidden. It seems easier to look away or to remain silent and thus to declare some things non-existent. We don’t always turn over every stone. We prefer not to be aware. Everyone knows the phenomenon of the “elephant in the room”. We all notice the “elephant”, but then we pretend not to see it. “The elephant” that nobody talks about is a very contradictory figure, because the “elephant” has mass, is a big, present-looking
figure, but at the same time it doesn’t really seem to be there. We know we should and yet we can’t talk about it. It, the “elephant”, emerges and the moment it is fully there, it disappears.
But why do we pretend to be blind or deaf or indifferent? Why do we swallow so many obvious things? Why do we turn our gaze away from things that characterise the reality of our lives? Do we not compromise with the lie by looking away and remaining silent? But who decides what is truth and what is a lie? Who has a right to know them? Do not truth and lies appear in one corner as the opposite of what sounds in another corner like a foreign language of which one does not understand a word?
Through a cross-space visual and audio installation, the exhibition swallowed sentences focuses on the relationship between visibility and invisibility, between speaking and concealment, between presence and absence. It leads the viewer into a labyrinth of the obvious, the repressed and the misunderstood, to finally confront him with the question: Why don’t we listen to the “elephants”?
представяне на книгата "Местни герoи", 21.11.2010
представяне на книгата "Местни герoи", 21.11.2010
24.05.2015, Sofia Just in front of the monument “1300 Years of Bulgaria” Anton Terziev is gluing the pages of “Forget Your Past”, an album of monuments from the Soviet Union regime by Nikola Mihov. duration of action: 40' video editing: Rayna Teneva
